01 Valkyrie Horsewhip Reel.mp3 3.58 MB 02 California Fetid Adder's Tongue.mp3 3.89 MB 03 Rubicon Drawn.mp3 2.76 MB 04 Silent Spring.mp3 4.81 MB 05 Witches.mp3 4.27 MB 06 Greymare.mp3 554.14 KB 07 Story From Strawmouth.mp3 2.9 MB 08 Woodwose.mp3 3.38 MB 09 Shot Coplifting.mp3 1.79 MB 10 Unregistered Firearm Ravachol I.mp3 6.86 MB 11 A Rat In My Dream.mp3 1.13 MB 12 Still Sick (Years After The Draft.mp3 3.41 MB 13 Honey In The Hair.mp3 3.69 MB 14 Coal.mp3 4.58 MB 15 Germinal.mp3 4.81 MB 16 Everyone Up To The Wall.mp3 3.44 MB swidden-insert.pdf 844.44 KB swidden.jpg 210.44 KB.
Dec 13, 2010 - Blackbird Raum formed out of the nucleus of a squatter community living in abandoned buildings and greenbelt. Album Name: Swidden. May 10, 2009 Blackbird RAUM returns with a new album that's faster, darker and tighter. Again utilizing the clawhammer banjo, accordion, singing saw and more. The scratchy five part harmonies make good on the bleak promise of their first album, more explicit of an incredibly dim view of world affairs. Subjects ranging from war to ecological collapse and all the bright space in between.
Rachel Evans left many listeners stunned with her debut album 'Seeping Through The Veil Of The Unconscious', released on tape and vinyl to pretty much universal acclaim at the end of last year. Her follow-up proper, 'Luminaries & Synastry' is a divine, subtly dizzying descent from the heights of that album, catching Rachel cocooned in a feather-like freefall to more pastoral climes without ever actually touching down to solid ground. The simplicity of instinctively layered, ethereal vocals and seemingly infinite arpeggios make for a mesmerising take on pop music, where the atmospheric composition contains far more nitrous oxide in a lower pressure system, and duly everyone floats about dazed in a state of post-rave/orgasmic bliss. This suspended sensation is unmistakable on opener 'Luminaries', those whispered vocals condensing around beads of glinting machine rhythms and convective synth swirls, precipitating the mood of things to come. Following this, 'Synastry' provides a poignant moment of clarity where you can almost make out whole phrases through the pillow of gaseous drones, slowing the systolic rate for the twilight glide of 'Late Day Sun Silhouettes' and the lambent organ glow of 'Ascendant' or 'Athame'. Entering the kosmische vortex of 'Day Glow' and 'Moving Backward Through The Constellations' the mood turns less blissed and more viscerally tactile, where creeping arpeggios envelope Rachel's haloed vocal in a tangle of bittersweet dissonance, before the gaseous glades of 'Eight Nineteen' opens out, eyelids fluttering, to the scenery of 'The Walls Were Dripping With Stars'. All links posted in this blog are the result of search efforts with the use of search engines such as Google and they are for preview purposes only.
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